Especially those with multiple copies in a facility. This is beneficial to the post user base most of all. Those who use Nuendo strictly for post production do not have to pay for features they do not use. The NEK is not designed to make N3 users pay "extra" or "additional". For us home project studio / small studio users that are cradle to grave musicians and do our own mixing and mastering - is there any benefit you can think of to upgrading to N4? įredoThanks Fredo - great info - so the top of your head points are obviously things that Nuendo can do that cubase cannot. There are about 1500 dB of headroom in a 32-bit floating mixer, if that isn't enough. (and I see people doing this all of the time these days) In this case, Nuendo stays the "most forgiving" mix engine on the market. It becomes a different story when you push your DAW over the technical limits. The only thing that eventually can be improved are the internal effects, but those have nothing to do with the sound engine.Īgain, every DAW on the market has a sound engine which allows you to mix your projects at the best possible digital standards. Difference is that one will have dither noise at -136 dB, while the other will have distortion at -136 dB.
All existing DAW's have a summing engine which produces the *exact* same results, down to the LSB's. Lots of Alignment tools and Post functionalities line cut head, cut tail, etc. Time Base Synchronizer support + the new Colin Broad Synchronizer.
Networking over LAN (multiple workstations can work on the same project at the same time)
Edit mode for syncing events & fades to picture New automation system will be Nuendo exclusive A lot of features for syncing external devices/recorders/video machines/9 pin Import/export protocols like /AES31/AAF/Premiere Generic EDL/Track export/import
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